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New artwork: Behold My Beloved Son. Basically a Christ Visits the Nephites but with a different title, one actually from the scriptures.

I painted this in Procreate, and goodness, it messed up my back a bit. (Which is unfortunate because I really like the woodcut-style look on the white triangle. I may still do occasional pieces this way, when there’s not a billion little circles like I have here.) It’s frustrating when my spondylolisthesis keeps me from making art the way I want to. At some point I’ll probably try to figure out a way to do this style with code. (Speaking of which, I generated the circles here with a little bit of JavaScript. It was fun doing a piece that’s a little more three-dimensional.)

Behold My Beloved Son

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I’ve got a new exhibition coming soon! It opens next Friday, February 3, at Writ & Vision in Provo, and runs through Saturday, February 25. The show will feature the twelve illustrations at the head of each chapter of In the Image of Our Heavenly Parents: A Couple’s Guide to Creating a More Divine Marriage (edited by McArthur Krishna and Bethany Brady Spalding).

in-the-image-of-our-heavenly-parents.jpg

It’s not up yet on the Writ & Vision gallery page but will be soon.

Edit: here’s the Writ & Vision gallery page.


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A few new pieces tonight. First, To Fulfill All Righteousness III:

To Fulfill All Righteousness III

And then a scripture print from 2 Nephi 2:

Art with several verses from 2 Nephi 2 laid out in it

And finally, an abstract hymn print of Where Can I Turn for Peace?:

Circles and lines representing the first few measures of “Where Can I Turn for Peace?”

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New artwork: The Time Is at Hand.

The Time Is at Hand

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New artwork: Behold Your Little Ones.

Behold Your Little Ones

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A new abstract hymn print for As Sisters in Zion:

Circles and lines representing the first few measures of “As Sisters in Zion”

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New artwork: I Give unto you Power. This takes the idea from Principles and Ordinances II and By the Laying on of Hands II and applies it to Christ ordaining Nephi. Also similar to Father’s Blessing.

I Give unto You Power

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Links #61

Alexandre Prokoudine on 2023 in preview for Libre Arts. Looking forward to Metal support in Blender.

The MuseScore 4.0 announcement video. When I used MuseScore recently for the hymn prints, I didn’t realize it was a new version and had completely forgotten what the old one was like. 4.0 is so much better. Wow.

Tantacrul with an in-depth video on how they made MuseScore 4. This was great, loved it. I wish there were videos like this more often for open source projects. (Maybe there are and I just haven’t seen them.) The new instruments and playback quality are incredible and have me itching to get back into composing, now that I can export audio that will actually sound good.

Tantacrul on designing Leland, MuseScore’s music font. Loved this. Especially liked learning about SCORE.

Oktophonie on engraving changes in MuseScore 4.0. A lot of this is covered by the video, but I still really enjoyed reading through it. Mmm. (Very impressed by the engraving quality in 4.0, too.)

SMuFL, the Standard Music Font Layout. Bookmarking this here in case I ever end up getting into type design for real and want to design my own music notation font.

BlenderBIM, a BIM plugin for Blender. I have no need for this but I wish I did! (Alternate timeline.)

The Visual Dome, AI art from a semi-consistent secondary world. Freaky but fascinating.

Andy Matuschak on cultivating depth and stillness in research. This resonated — both the part about feeling the need to release work frequently and the part about social media making it hard to think slow thoughts and read books. (Some of that might be more my takeaway than things he actually says, by the way.)

David Heinemeier Hansson on why 37signals is largely leaving the cloud for their own servers. Bravo. Decentralization is a good thing, and AWS’s monopoly is a bit worrisome for the future of the internet.

Zach Leatherman on the JavaScript community. I hadn’t seen that only 3% of sites use React and a staggering 77% still use jQuery. Wow. While I do use React at work, I too have felt the disconnect (as is probably clear from some of these link posts) and have often feel at odds with the direction of contemporary frontend engineering. More JavaScript isn’t the answer, at least for me. (Which I say in spite of really liking JS. It’s my favorite language to write code in at the moment.)


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Post mortem patris

Now that it’s been a bit longer (today marks four months since we found my dad’s body), a few more observations and thoughts, for anthropological interest:

  • We’re fairly certain he died the day he disappeared (the 13th), but the official date is the 16th, the day we found him. Turns out the medical examiner’s office here doesn’t usually do time-of-death estimations as part of autopsies. (Does it matter? No, not really. The outcome was the same either way, and in the end it’s just a number that washes farther out into the past with each new day.)
  • For a couple months I was waiting for the medical examiner to call and let me know the autopsy was finished. Turns out they were never going to call — I’d been misinformed. Luckily I happened to call them a few days after they finished the report, so we weren’t waiting excessively long for the cause of death.
  • Speaking of which, we got the official cause of death from the mortuary on November 18, two months post mortem. The final death certificates came a few days later. We can order a copy of the full autopsy report from the medical examiner’s office, which I’ve been meaning to do but haven’t gotten round to yet.
  • When the sad parts hit, I take comfort in consciously acknowledging that the mourning and the grief, however heavy, are a natural, necessary part of this process. They’re supposed to be here. I don’t particularly like being sad (especially in public!), but I also don’t want my dad’s death to mean so little to me that I no longer feel anything.
  • To that point, there have been fewer sad parts lately. I honestly don’t know if that’s because I’m slowly healing or if it’s just because my memory is a colander. Probably a mix of both. I occasionally worry that maybe I didn’t love my dad enough and that I should be more sad than I am.
  • My brain often tells me that my dad didn’t love me as much because I have almost no interest in business or sports, his two prime passions in life. I know this probably isn’t actually true, and that interest alignment isn’t on the same axis as parental love. I never thought about this when he was alive.
  • The searching-in-the-canyon dreams stopped a while ago, thankfully. I’ve had a couple dreams where I see him randomly and go up to him and say something like, “You’re dead! What are you doing here?!”, but my dreams are also notoriously meaningless and I know it’s not actually him, just my brain doing its usual regurgitation thing.
  • I haven’t felt his presence at all. No beyond-the-veil anything.
  • I’m glad most of my children knew my dad in person. Also a bit sad that my youngest won’t have any real memories of him. There’s enough photo and video footage to make up for it a little bit, maybe, but it’s not the same.
  • It took a few months before I finally threw away the bag of clothes my dad was wearing when he died. It was marked with a biohazard symbol and smelled of death, and I was too unsettled to ever open it. None of my siblings wanted it, either.
  • His car is still in my driveway, a daily reminder along with the canyon (which I still can’t not see every time I’m outside).
  • My doctor (whose sister took her life) said that immediate connections are statistically at a higher risk of suicide. I’m not at any risk myself, but I do worry more about other family members dominoing.
  • It all still feels surreal and distant, like we’re just between visits and any day now he’ll call me or show up at our door with more cookies. There have been a couple times, too, where my brain is momentarily convinced that he’s somehow still alive, that he pulled off an impossible disappearing act and is living a new life in New Zealand or Florida or something. The illusion never lasts long, thankfully.
  • At the very lowest points, I’ve felt that he abandoned us (his children). That he didn’t love us enough to stay. That’s rare, though. And I know it’s not true and that the depression was a parasite driving his brain, and who would expect a parasite to care about those left behind?
  • I’ve slowly been handling the administrative tasks. Opened an estate account. (At the bank, by the way, I learned that I had to have an EIN to open the account. Miraculously I was able to create one on the IRS site in a mere five or six minutes on my phone.) Closed other accounts. I occasionally check his email, though it’s so full of spam now that it’s pretty demoralizing.
  • Probate takes longer than I thought. Reading a summary of something is so much faster than living through it subjectively!
  • I was able to design the headstone myself, which was a relief since I haven’t exactly been inspired by most of the headstone typography I’ve seen. (So much extra tracking, and the typefaces usually aren’t great either.) It currently takes over a year for the monument company to fulfill orders. A bit longer than expected.
  • Given his age, my dad would most likely have died sometime in the next twenty years of natural causes. The fact of his absence currently doesn’t hurt as much as the awfulness of his method. I don’t know what it would feel like if he’d died of cancer or a heart attack instead.
  • I frequently think about how some — older people, primarily — have loss upon loss upon loss carved out of their souls. Parents, siblings, spouses, children, friends. So many goodbyes, so many layers of pain. Whew.
  • A few compatriots in suffering have shared their own stories of grieving and loss with me, and yet it doesn’t feel like an added burden at all.
  • When people ask how I’m doing, I still have no idea how to answer. (Having a two-month flareup of bad back pain hasn’t made it any easier.) I don’t fault the question, though. Someday I’ll figure out how to answer it again. In the meantime, apologies to those of you who’ve asked and have had to endure the awkwardness!
  • Though it might not sound like it given all of the above, I do feel like life is generally back to normal — yes, it’s overcast with occasional rain, but by and large I’m able to work and to be a husband and a father and to be an approximation of a normal, functioning member of society. (I can’t stop thinking, by the way, how infinitely harder this would all be if it had been my wife or one of my children.)

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New artwork: No Tongue Can Speak.

No Tongue Can Speak

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