I’m about a third of the way through the first draft of a novel. As it happens, this is the furthest I’ve ever gotten with one — ignoring the misbegotten monstrosity that spawned from my 2007 NaNoWriMo — and I think I’ve finally at long last found a process that works for me. (Famous last words!)
It’s this: write, one scene at a time. After writing the scene, review it to make sure it actually has some kind of conflict or tension, and that it moves the story forward and is sufficiently interesting. Also continue to think often about the story as a whole, and periodically read the book from the beginning, so that things don’t go off the rails. After finishing each scene, add it to an outline to make high-level review easier. (This is all inspired by Dean Wesley Smith’s Writing into the Dark and Steven James’s Story Trumps Structure.)
So far, it’s working. I have a loose deadline of mid-July for finishing the first draft, which means writing around 1,100 words a day. I’ve written 80 pages so far and am aiming for roughly 240 pages total. (My current vision of myself as a novelist, by the way, is primarily writing short standalones rather than long books or series.)
Organic writing like this is familiar, in that it’s what I’ve always done for stories and poetry, but at novel length it’s mildly terrifying. I have vague ideas about where the novel is going but it keeps surprising me so who knows. Truth be told, while I’m having a lot of fun with this writing method, I also frequently find myself wishing I were an outliner. Having a roadmap for this book would be really, really nice. Maybe someday, for future books. In the meantime, though, this method is producing results. If all goes well, sometime this fall I should have a finished, polished novel.
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