Four new art pieces.
In the Celestial Kingdom of Heaven:
![In the Celestial Kingdom of Heaven](https://cdn.bencrowder.net/images/art/web/in-the-celestial-kingdom-of-heaven_web.jpg)
Be Still and Know That I Am God:
![Be Still and Know That I Am God](https://cdn.bencrowder.net/images/art/web/be-still-and-know-that-i-am-god_web.jpg)
![Behold Your Little Ones II](https://cdn.bencrowder.net/images/art/web/behold-your-little-ones-ii_web.jpg)
![Infinite and Eternal](https://cdn.bencrowder.net/images/art/web/infinite-and-eternal_web.jpg)
Four new art pieces.
In the Celestial Kingdom of Heaven:
Be Still and Know That I Am God:
My piece Harrowed Up No More was featured today on episode 31 of Behold: Conversations on Book of Mormon Art, produced by the Book of Mormon Art Catalog. (The episode link above goes to YouTube, but it’s also available on Spotify and Apple Podcasts.)
Christopher Jones, an assistant professor of history at BYU and editor of the Journal of Mormon History, joins Book of Mormon Art Catalog director Jenny Champoux. They discuss Harrowed Up No More by Ben Crowder. This episode complements week 31 (Alma 36–38) of the 2024 “Come, Follow Me” Book of Mormon curriculum.
I’m heavily biased here, of course, but I enjoyed watching this. It’s rewarding to see people not only discuss the symbolism I was thinking about while making the piece but also interpret it in new ways I hadn’t thought of before.
Heather Cox Richardson on Biden stepping down from the race. “In a time of dictators, Trump tried to overthrow the results of the 2020 presidential election and install himself in power against the wishes of the people. President Joe Biden voluntarily turned away from reelection in order to give the people a better shot at preserving our democracy. He demonstrated what it means to put the country first.”
Dave Karpf on Biden and Harris. “I believe Kamala Harris is going to win. The party is excited and unified. She is positioned to exploit every one of Trump’s glaring flaws. Many of the attacks that Trump will use against her will backfire, revealing that the Republican Party is currently run by crooks and creeps who hate a lot of America and a lot of Americans.”
Jason Kottke on Peter Ablinger’s talking piano. Wow. That’s…crazy.
Behdad Esfahbod on the state of text rendering in 2024. (Esfahbod is the author of HarfBuzz, the predominant open source shaper.) Fascinating read. I also liked Some Font Tools, his presentation with Marianna Paszkowska on some new fonttools
features.
GT Academy, a series on how to design a sans serif typeface.
Benjamin Reinhardt on what it takes to get new materials out of the lab and into mass production. “Despite university teams regularly announcing triumphantly that they’ve created a material with seemingly magical properties like artificial muscles made out of carbon nanotubes or ‘limitless power’ from graphene, new materials-enabled human capabilities have been rare in the past 50 years. Why is there such a gap between headlines and reality when it comes to new materials? Is there anything we can do about it?”
Marcin Wichary’s talk on pixel fonts at Config 2024. Way good. The effects on his slides (made with JavaScript and Canvas) were amazing, too. And the font editor is fun. Also see his segmented type demo.
Fontra, a newish browser-based tool for variable typeface design. Very cool. Looking forward to trying this out. (Also, I found Just van Rossum’s video from October to be helpful as intro documentation of sorts.)
Simon Cozens’ HarfBuzz WASM shaper demos, including one for Nastaliq and one for Egyptian hieroglyphs. Love this.
FontGoggles, a better way to preview fonts, including .ufo and .designspace files, with automatic reloading.
Rob en Robin’s F.C. Variable, an illustration variable font. Ha.
Robin Sloan on designing a script for his new book. It does look good. I don’t know that I’ve ever really thought about designing a conlang script, but now I totally want to.
Mike Hogan on keeping a development diary. 100%. I do this both at work — just a Markdown file that I edit in Vim on my work laptop — and on personal projects. Very much recommended. (It’s so much easier to start working on a project when I can look at the last diary entry to see where I left off and regain context.)
Sharon McMahon’s proposal to improve U.S. elections. All eight of her proposed reforms sound great. I hope we see at least some of these happen.
John Gruber on the attempted assassination. Yep.
Kristine Haglund on the beauty of holiness. “Beauty is an index to the divine not because it lifts us out of the earth, but because it lets us see the ways we are part of it and lets us hear God whispering that ‘it is very good.’”
Wm Morris on what’s possible with ebooks. Some interesting ideas here. When I make EPUBs, I try to not care about the formatting, because so much of it is in the hands of the reader app; that’s a big part of why in recent years I’ve focused more on making PDFs (Historia Calamitatum, Plutarch). I’m intrigued, though, by the idea of web pages as a possible best of both worlds — they’re reflowable, you can easily design full responsive layouts that work on any size device, you get the full power of CSS (including features like scroll snap), you can view source, etc. (Thinking about Make Something Wonderful, for example.) There are downsides, clearly, but maybe those can be worked around more than I’ve realized.
New release: a family descendancy list generator. (The first version of one, anyway. It’s still pretty new.) It’s a web app that lets you enter a descendancy list in a text-based format like this:
And you then get something like this when you print:
Seven years ago I started making these types of charts in Google Docs, which worked out okay, but I got tired of fiddling with tab stops and here we are.
This marks a change from how I’ve been building genealogy chart apps, by the way. CLI scripts are all well and good, but doing it this way should hopefully be a lot easier for people to use.
Four new art pieces.
TIL that ripgrep supports searching by Unicode ranges. For example:
rg "[\u0250-\u1FFF\u2027-\uFFFF]"
This greps for anything after the Latin Extended-B block, excluding some general punctuation like em/en dashes, curly quotes, and ellipses. (Useful to me for easily checking which characters I’m using on my website and thus what a new font would need to support.)