Three new art pieces.
(Yes, that last one looks like sushi. I’m okay with that. I love sushi.)
Three new art pieces.
(Yes, that last one looks like sushi. I’m okay with that. I love sushi.)
Quick minor note: I’ve redesigned the art page, grouping the pieces into collections. I’ve also added RSS feeds for all collections and tags (linked from the top of each collection or tag page), so if you’re just interested in the religious art and don’t want to subscribe to the full blog, there’s now an RSS feed for that. There’s also a feed for all the art.
Two new typographic art pieces (a thing I’m experimenting with) and two new religious art pieces.
Four new art pieces (three religious, one family).
“Our Savior’s Love” hymn print:
“Joy to the World” hymn print:
Welcome Home (hey, look, I finally drew something sort of representational again):
Pleased to announce that my painting When the Light Shall Begin to Break Forth is the cover art for Seven Visions: Images of Christ in the Doctrine and Covenants, a new book by Adam S. Miller and Rosalynde F. Welch, published by Deseret Book (sequel to Seven Gospels).
Five new art pieces.
“Come, Lord Jesus” hymn print:
“This Is the Christ” hymn print:
Two new art pieces.
Four new art pieces.
Until After the Trial of Your Faith:
Four new art pieces.
In the Celestial Kingdom of Heaven:
Be Still and Know That I Am God:
My piece Harrowed Up No More was featured today on episode 31 of Behold: Conversations on Book of Mormon Art, produced by the Book of Mormon Art Catalog. (The episode link above goes to YouTube, but it’s also available on Spotify and Apple Podcasts.)
Christopher Jones, an assistant professor of history at BYU and editor of the Journal of Mormon History, joins Book of Mormon Art Catalog director Jenny Champoux. They discuss Harrowed Up No More by Ben Crowder. This episode complements week 31 (Alma 36–38) of the 2024 “Come, Follow Me” Book of Mormon curriculum.
I’m heavily biased here, of course, but I enjoyed watching this. It’s rewarding to see people not only discuss the symbolism I was thinking about while making the piece but also interpret it in new ways I hadn’t thought of before.