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They That Be With Us

they-that-be-with-us.jpg
Painted in Photoshop. A reference to 2 Kings 6:16.

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Till We Meet Again

till-we-meet-again.jpg
Painted in Photoshop.

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The Love of God

the-love-of-god.jpg
Painted in Photoshop. A reference to 1 Nephi 11:22.

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Shoulder to the Wheel

shoulder-to-the-wheel.jpg
Painted in Photoshop.

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Bubbles

Playing around:

bubbles.jpg

I wrote the circle chording code on my phone in Pythonista, then ported it to PlotDevice, fleshed it out, and textured it in Photoshop.


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And God shall wipe away all tears from their eyes

Based on Revelation 21:4.

wipe-away-all-tears.jpg
Painted in Photoshop.

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Brightness and Glory

Continuing my trend of painting the First Vision (triptych, color triptych, triptych II), this time with just a single panel instead of a triptych:

brightness-and-glory.jpg
Painted in Photoshop.

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To Fulfill All Righteousness

to-fulfill.jpg
Painted in Photoshop.

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Snakes

A new piece, “Snakes”:

snakes.jpg

Detail:

snakes-detail.jpg

The code is on GitHub, and as I’ve also posted a few process pics to Twitter (which I think I’ll continue doing).


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Circlecells

Yesterday’s generative art piece, called “Circlecells” (these names are amazing, I know):

circlecells-01.jpg

Detail:

circlecells-01-detail.jpg

The code is on GitHub. I also posted a few process pics to Twitter yesterday. There are also three other accompanying pieces in the set generated with different seeds: 02, 03, 04.

Explanation:

  • There’s a 20×20 grid which gets populated with an initial seed population of living/dead cells. (I get a random value between 0 and 5; if it’s 0 or 1, the cell is alive.)
  • The lines are drawn from any living cells to any immediately neighboring living cells.
  • The size of each circle is dependent on how many living neighbors the cell has.
  • The initial round is drawn in light tan, then the grid is run through a modified Conway’s Game of Life (any cells with 2, 3, or 5 living neighbors are alive in the next round).
  • Two more iterated rounds are drawn, one in a slightly darker tan and the last in dark red. (Drawing is done with the multiply blending mode.)
  • I textured the piece in Photoshop afterwards, using some Kyle T. Webster brushes — add canvas, add noise, encaustic grit, a couple others that I can’t remember.

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