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A new abstract hymn print for As Sisters in Zion:

Circles and lines representing the first few measures of “As Sisters in Zion”

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New artwork: I Give unto you Power. This takes the idea from Principles and Ordinances II and By the Laying on of Hands II and applies it to Christ ordaining Nephi. Also similar to Father’s Blessing.

I Give unto You Power

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New artwork: No Tongue Can Speak.

No Tongue Can Speak

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Scripture prints

Another new project. I wanted to do something with the words of the scriptures and came up with this style, where it’s intended to be more decorative/evocative (so legibility isn’t at the top of the priority list). It’s also a fun way to play with textures in ways that I don’t always get to with my other art.

1 Nephi 3

Art with several verses from 1 Nephi 3 laid out in it

Luke 2

Art with several verses from Luke 2 laid out in it

Mosiah 2

Art with several verses from Mosiah 2 laid out in it

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Abstract hymn prints

Me being me, I went ahead and explored what abstract hymn prints might look like.

I Stand All Amazed

Circles and lines representing the first few measures of “I Stand All Amazed”

In Humility, Our Savior

Circles and lines representing the first few measures of “In Humility, Our Savior”

Press Forward, Saints

Circles and lines representing the first few measures of “Press Forward, Saints”

The Spirit of God

Circles and lines representing the first few measures of “The Spirit of God”

I also played around with making one in Blender via depth maps:

High on the Mountain Top

Circles and lines representing the first few measures of “High on the Mountain Top”

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Hymn prints

A new experimental nerdy thing, for people who like hymns, sheet music, and textures:

The first few measures of “Abide with Me!”
The first few measures of “The Spirit of God”

How I make these hymn prints (as I’m calling them):

  • Typeset the first phrase (or so) in MuseScore using the Bravura font, with the spacing trimmed to within an inch of its life
  • Play it out loud to make sure I entered it right (cough) and export an SVG
  • Drag the SVG into a frame in Figma and use the SkewDat plugin to skew it -4°, center it, then export a 4,000px-wide PNG
  • Use ImageMagick to do some erosion and dilation (to simulate age and ink spread): convert input.png -morphology erode disk:18 -morphology dilate disk:16 output.png
  • Texture the image in Affinity Photo and export the PNG
  • Upscale with Real-ESRGAN to 12,000px-wide
  • Downscale a little in Affinity Photo, add 8% monochrome noise, and export the final PNG

I’m still figuring out how I want to do these (full bleed or not, barlines, clefs and key signatures or not, etc.). Also thinking about possibly doing some abstract versions as well, to avoid all these music typesetting issues entirely.


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Four new pieces tonight.

Away in a Manger:

Away in a Manger

Heart, Might, Mind, and Strength III:

Heart, Might, Mind, and Strength III

I’ve a Mother There IV:

I’ve a Mother There IV

Hearts of the Children IV:

Hearts of the Children IV

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New story: Saying Goodbye. About eight pages long, science fiction.

This one came from wanting to write a story with virtual reality involved (which admittedly ended up being more of a bystander in the finished piece) and then my recent experience with my dad took over and became the main driver, though the details in the story are all quite different.


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Two new pieces:

Together Forever II. This one came out of losing my father. (That said, it isn’t actually a depiction of my own family — my parents were divorced and I have more siblings than this.)

Red circle-and-triangle figures arranged in a family portrait. The father is all white.

Abide with Me II. This has felt applicable to me a decent number of times these past few months.

A white circle-and-triangle figure next to a blue circle-and-triangle figure.

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In the Image of Our Heavenly Parents: A Couple’s Guide to Creating a More Divine Marriage, released today, edited by McArthur Krishna and Bethany Brady Spalding, with illustrations by yours truly.

Title page of the book
Table of contents page
Doctrinal foundation page
Chapter illustration

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