For a while I had been itching to have a better way to track genealogy research todo items — something that organizes items by family and links back to Family Tree, mainly. And thus Gent was born:
I’ve been using it for a couple months now and really like it. Before, I felt disorganized and didn’t know where all my notes were; now, even if I come back to my research after a month or two away, it’s easy to get back into it.
The app is built on Django (Python), and I’m calling it a 0.1 release since there are almost certainly bugs I haven’t found. But it does work for me. (For what that’s worth.)
I have a habit of not finishing illustrations I’ve started. Right now, for example, my art tracker spreadsheet tells me that eleven of the forty-one illustrations I’ve started in 2011 so far are unfinished.
Ordinarily, if I still haven’t finished an illo and it’s been a week or two since I last worked on it, it’s basically dead in the water. I forget about it. It languishes. And then it makes my list of abandoned projects for the year.
Sometimes that’s a good thing. If the idea behind the piece can’t support its own weight, it’s better to let it go. But more often than not, the idea was just fine.
So, what I’ve started doing (and should have started doing a long time ago) is making a list of my unfinished pieces and then deciding what my next action needs to be for each one. For one piece, it’s to draw the characters more clearly and clean up the linework. For another, it’s to try a new perspective to make the object in the distance loom larger. For another, it’s to rework the idea so it’s more interesting, because right now it’s kind of static. And so on.
Take my “Return from Exile” piece the other day. It began as a loosening exercise in Photoshop that looked kind of like the inside of a cave. I then forgot about it and kind of stopped caring. It was definitely in danger of being abandoned forever. But when I made my list and figured out that my next action was to smooth out the rough strokes, bam, I got back into the illustration and I was able to finish it.
Sometimes I forget that the project management techniques I’ve learned from coding and design and my other projects can just as easily be applied to art. Art isn’t voodoo.
For those who liked the project tracker, here’s a PDF version (I’m now calling it a project tracker instead of a project calendar):
You can print it out, fold it up, and carry it in your pocket, or post it on your refrigerator or desk, or three-hole punch it (there’s room on the top margin for that) and put it in a binder. You do have to fill out the month, days, and days of the week manually, but there’s a little more flexibility this way.
It’s a project calendar for keeping track of (a) which projects I’m working on and (b) when I’ve worked on them. That way I can easily see where my time is spent and possibly where I need to adjust things. (“Looks like I’m neglecting my writing. Time to fix that.”)
I started out using the back of my Field Notes notebook, since it has a handy grid, but I ran into a problem: when I finish the notebook, I no longer have my project calendar with me.
Enter Google Spreadsheets:
The grey boxes mean that the project has ended. Each month is its own sheet, which keeps things tidy. (Projects that end don’t need to be on the next month’s sheet.)
And the best part? It’s super easy to maintain. I can just copy and paste the black boxes, and when I start a new month, it only takes a few seconds to clear out the boxes and change the days of the week.
Speaking of tracking things, I forgot to blog about my writing log (which I used to use back when I was writing more frequently):
I’m also planning to make a grid-based log for scripture reading and family history and other church-related things I want to do more diligently.