(If/when I need to do motion graphics or video editing in place of After Effects and Premiere, by the way, I’m planning to use the free version of DaVinci Resolve.)

So far I’ve only actually used Affinity Photo, to texture the piece I released yesterday. Worked like a charm. The live split-screen preview when applying a filter is brilliant, and the file sizes are much smaller, too. (In Photoshop I’d regularly end up with a 1–2 GB PSB file. With Affinity Photo, it’s closer to 300 MB.)

As far as typesetting goes, I still expect to use TeX (Tectonic) on projects where it makes sense — it’s what I used on the wide margin study editions since typesetting each language individually would have taken much more time — but it’s nice to have Affinity Publisher for other projects. I’m planning to use it for the book of narrative poems I’m (slowly) working on. (I’ll be setting it with Hinte, a new typeface I’m designing in FontForge. More on that soon.)

With Figma doing most of what I used to use Illustrator for, I don’t expect to use Affinity Designer all that much initially. But the raster brush textures are intriguing. We’ll see.

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The syntax (at least as it stands right now) is naturally very LISPy, and the examples are fairly low-level, but I’m quite interested to see where things go. While I haven’t done much typesetting lately, I’ve been itching to do more in LaTeX and less in InDesign, so that my source files are plain text and not locked into a proprietary format. And some things are more easily done in code. Also, I’ve wanted to share the source files for my work (as I’ve started doing with the PlotDevice sources for my language charts), but putting InDesign files in a GitHub repo just feels wrong. And InDesign isn’t exactly cheap, either.

So, LaTeX for now, and possibly Quad once it’s matured a bit.

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