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Things on my mind #7

  • I’m noticeably happier on days when I’m making things.
  • Reading long books is often daunting, but I need to remember that I’m never reading the whole book all at once: it’s always a page at a time, and I can read a page. (This applies to writing and other things, too.)
  • Thinking about a project helps motivate me to work on it, warming it up in my mind. Setting aside time (saying “I’m going to spend ten minutes on this project right now”) also helps.
  • I still have heaps of imposter syndrome with my art. (That it’s digital and not analog, that it’s overly simple and not ornate enough, that it’s too abstract, etc.) I try to not let that stop me from making the art, though. Relevant quote from Martha Graham that I think about fairly often: “There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.” So that’s what I try to do.
  • It’s okay, I think, to make art that only one person likes. Or only a few people. Not everything needs to be wildly popular.
  • I feel vaguely guilty when making sequel art (a new version of an earlier piece) and worry that it’s less interesting, but it’s an important part of my process and I get a lot of value from reworking earlier ideas. (I also tend to overthink things, so here’s a grain of salt.)
  • With my art, I’ve optimized for short execution times — generally around a couple hours once I’ve got the idea figured out. Which is good, but sometimes I feel like I’ve lost (or am losing) the ability to work on larger, longer projects, pieces that take multiple months to complete. Might need to do something about that.
  • It’s been harder lately for me to write small atomic posts; I gravitate toward bundled/batched larger posts like this one. Longer posts feel heftier and more substantial, I suppose, but post length really isn’t a great metric for measuring actual value. Perhaps it also has to do with the design of my blog and/or the design of my internal blogging app, Slash.
  • I wonder if I ought to start writing weeknotes again.

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Links #96

Oliver Burkemann on productivity techniques as a cupboard of tools and on using the tools that work for you. This was good for me to hear.

Jen Simmons on Interop 2024. Woohoo! A wonderful project. Very much looking forward to font-size-adjust, too.

Jonathan Hoefler on what generative AI might mean for typeface design. To be honest, I’ve soured on generative AI and don’t really find it interesting anymore. (Thus the lack of AI-related links lately.)

Angie Wang’s “Is My Toddler a Stochastic Parrot?” Ha. Sometimes it feels like it, but no, there’s a difference.

Andrew Plotkin about the newly discovered Infocom interpreter source code. Cool. (I say this as if I play interactive fiction regularly. Haven’t in decades. But I’m still nostalgic for it, I suppose.)

Bryan Braun on rejecting the algorithm and using RSS. Amen.

McKinley Valentine on physical actions. “I am increasingly of the belief that your brain doesn’t really understand that you have taken an action unless you move your body and/or other objects around in physical space. So if you prepare for a job interview by reading through your notes on a screen, that helps you in the actual ‘know what you’re going to say’ sense, but because you didn’t do anything your brain registers as activity, it still thinks you’re unprepared and ramps up its anxiety. I suspect you would feel much less anxious if you had a text-to-voice app read out your notes while you folded laundry or something.” Interesting idea.

Houses buried under tumbleweed in Montana. Wild.


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Links #95

Charlie Stross on why science fiction is a terrible guide to the future, and how billionaires and tech companies should stop trying to create those futures. “Because we invented the Torment Nexus as a cautionary tale and they took it at face value and decided to implement it for real.”

Étienne Fortier-Dubois on complexity limits of fictional worlds. Agreed that most (if not all) worldbuilding is more simplistic than the real world, and that more complexity would be quite interesting. Past a certain point, though, you get complexity overload and the reader can’t enjoy the story because of All The Things. And even before that point, I’m not sure how often it truly matters; small stages can tell compelling stories. tl;dr Diversity of complexity is good.

Alex Chan on creating a PDF as big as the universe. Now you know.

@strangestloop on things that aren’t doing the thing. A good reminder. Nothing like getting your hands dirty.

Procreate Dreams, a new(ish) animation app. Haven’t tried it, but their painting app is well made, and this one looks cool.

Aleksandra Mirosław breaking the speedclimbing world record. Wow! She makes it look so easy. This also makes me glad that normal humans don’t scrabble up walls all the time. (Though if it were normal, maybe it would feel less unsettling.)

Chris on typing fast being about latency and not throughput. Agreed. I type fairly quickly, and there’s a definite difference in feel when I’m slowed down by a touchscreen or analog. Sometimes it’s nice to slow down, to have more built-in time to think about what I’m writing, but generally I’d rather be able to type fast and then take thinking breaks when needed.

Benjamin Breen on using generative AI for historical research, to augment and not automate.

Andrew Burmon on police brutality leading to domestic violence. “Research into the private lives of cops suggests that that faith in the restraint of police officers on the job is founded at least in part on men who abuse their wives and children. And what percent of cops are domestic abusers is conspicuously quite high.”


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Booknotes 3.5

Nonfiction

  • Super-Infinite, by Katherine Rundell (2022), a biography of John Donne. Quite good. I think biographies might be my favorite genre of nonfiction. (Recommendations welcome!)

Fiction

  • The Tyranny of Faith, by Richard Swan (2023, fantasy). Second in the Empire of the Wolf series. I rather liked it, though it was darker and more like horror than the first. Looking forward to the third, which comes out Tuesday.
  • Station Eleven, by Emily St. John Mandel (2014, science fiction). I don’t normally like post-apocalyptic all that much, as I’ve mentioned before, but this was good! (The flashbacks kept it from feeling overly dreary, I think.) While Covid was (and is) bad, books like this remind me how much worse it could have been. There’s your chipper thought for the day.
  • A Study in Drowning, by Ava Reid (2023, fantasy). Generally liked it, particularly the atmosphere and the literary research, though I didn’t care much for the earthy bits and or the parts that got a tad too intense for me. And now I want to read a fantasy book that’s all about architecture and constructing buildings.

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New artwork: The Power of the Lord Came upon Him.

The Power of the Lord Came upon Him

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Links #94

Matt Webb on the subjective experience of coding in different programming languages. Fascinating. For me, different languages do feel different, but not viscerally, no code synaesthesia. Pity.

Baldur Bjarnason on Gall’s law, which is: “A complex system that works is invariably found to have evolved from a simple system that worked. A complex system designed from scratch never works and cannot be patched up to make it work. You have to start over with a working, simple system.” I’ve been mulling over this a lot lately, both at work and for personal projects.

Eliot Peper on imagining the reader. “When you sit down to write and nobody’s in front of you, you forget that writing isn’t an end in itself. You forget that, even though you can’t see them, you are writing for someone.” When writing this blog I do usually keep in mind that I’m writing for y’all as a group (and what a lovely, diverse group of people!), but when I’m writing fiction I tend to forget all about audience. Something to work on.

The Church is creating an MTC in Bangkok! Wow! Did not see that coming. (And I’m late enough in posting this that the MTC is probably already up and running.)

Taylor on shipping finished projects. “Modern software devs aren’t really allowed to complete anything.” We do swim in eternal flux, but is that a bad thing? Switching metaphors: a living, breathing system requires feeding and attention, which seems fundamentally different from a chair or a pencil. There may also be a worthwhile distinction here between server-based software and downloadable desktop software. (Either way, though, this is why I focus more on art and typesetting with my personal projects. I like shipping finished products: no maintenance, which is a better fit for the limited free time I have.)


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Links #93

Lincoln Michel on making your novel more like Moby-Dick. “Why shouldn’t writers follow their obsessions and interests and strange ideas? The result is almost always going to be more memorable than an unthinking devotion to plot beats and character arcs.” I like this.

Hillary Predko on surgery trainers. That first image? Not cupcakes. (Seems like a great way to learn, though.)

Precondition on home row mods. Ooh. Interesting idea.

Benjamin Breen on the open-stack library. While I understand the move away from open stacks, it still makes me so, so sad. I’ve spent many an hour perusing shelves, letting serendipity guide me. There’s something magical about walking aisles lined with books. (This from a guy who pretty much only reads ebooks nowadays.)

Monaspace, GitHub’s new coding font superfamily, with a interesting “texture healing” idea. (Not sure how I feel about that, but glad to see innovation in that space.) I’m still using Go Mono.


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New artwork: The Light of the World.

The Light of the World

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Links #92

Ben Werd on journaling in private with friends. I’d like this. This gave me a curious idea: an unlisted RSS feed with no web counterpart. Similar to the occasional RSS-only posts that some folks do on their blogs, but with post URLs that don’t actually go anywhere. Effectively private without having to deal with authentication. (For the paranoid, maybe each reader gets their own unique URL to make it easy to track down any leaks and give the whole thing an espionage vibe.) Maybe I’ll do this someday.

Dorian Taylor on programmable software being accessible software. In particular the bit about “no UI without API”: “Every meaningful thing you can do to the application state in the user interface should correspond to exactly one subroutine, appropriately parametrized.” Which makes me think about Blender’s Python API — whenever you do something in the UI, there’s a log that shows how to do that action via the API. (Or at least there was; I haven’t checked recently to see if it’s still there.)

Speaking of which, Blender 4.0 was released. The fractal noise on the Voronoi texture node looks yum. I’ll admit to being a smidge sad to see Inter replace the Deja Vu Sans as the UI font, but I’ll cope.

Robin Berjon’s series on reimagining parts of the web. The web tiles idea is intriguing.

Jeff Sandberg on CSS being fun again. I need to make time to get familiar with all the new dazzle in CSS land. (I’ve read about most of it, but I haven’t gotten it into my fingers yet.)


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Booknotes 3.4

Nonfiction

  • Number Go Up, by Zeke Faux (2023). Crypto culture is a big bucket of crazy. Quote from the book: “From the beginning, I thought that crypto was pretty dumb. And it turned out to be even dumber than I imagined.” Yup. Good read.

Fiction

  • Guards! Guards!, by Terry Pratchett (1989, fantasy). Enjoyed it. I’m struggling to come up with anything more to say about it.
  • Murder at Spindle Manor, by Morgan Stang (2022, fantasy). Darker and more disturbing than I was expecting, and boy do things get cray cray. (Agatha Christie this is not.) Good writing. Liked it, looking forward to Murder on the Lamplight Express.
  • Kim Jiyoung, Born 1982, by Cho Nam-Joo (2016, fiction). I read it for book group. A short read, basically one sitting. I wish things were more equal (sexism is frustrating), but I’m glad we’ve seen some progress in some areas and can’t wait for more. On an unimportant note, the frame story — which had nothing to do with the rest of the book (unless I’m too dense to get it, which is entirely likely; as is no doubt all too clear to anyone who reads these paltry reviews, literary criticism is not my forte) — intrigued me and I want to read a speculative fiction extension of that.

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